![]() ![]() A Professor and Area Head of Design + Creative Practice in the School of Arts, Technology, and Emerging Communication at The University of Texas at Dallas, burrough is the Creative Director of LabSynthE, a laboratory for synthetic and electronic poetry. She uses remix as a strategy for engaging networked audiences in critical participation. She is the editor of Net Works: Case Studies in Web Art and Design and co-author of Digital Foundations: Intro to Media Design with Adobe Creative Suite. Design topics and principles include: Bits, Dots, Lines, Shapes, Unity, Rule of Thirds, Zone System, Color Models, Collage, Appropriation, Gestalt, The Bauhaus Basic Course Approach, Continuity, Automation, and Revision. The result is a comprehensive design learning experience organized into five sections that focus on vector art, photography, image manipulation, typography, and effective work habits for digital artists. The League of Imaginary Scientists: In League with an InstitutionĮXERCISE 6 WATCH THE SEQUENCE PLAY IN BRIDGEĮXERCISE 2 APPLY A BATCH ACTION FROM BRIDGEĮXERCISE 3 TWO OPTIONS FOR PRINTING AND BINDINGĮXERCISE 3A OPTION A: SINGLE PAGES AND EASY BINDINGĮXERCISE 3B OPTION B: PAGINATING FACING PAGES FOR A SADDLE-STITCHED BINDING Michael Demers: The Sky Is Falling (A Day in the Life…) RiCardo Crespo: Hot Wheels and Standing Meetings Screencast 12–2: Exporting Still Images from a Sequence in the Timeline Panel and Import Files to a BinĬlear, Open Communication and Accessibility Build a Composite Sequence with Images and Sound #DIGICEL FLIPBOOK 6.9 KEY PRO#Screencast 12–1: Create a New Premiere Pro Project and Import MediaĢ. Video Terminology and the Adobe Premiere Pro Workspace Inspiration Everywhere, Even Right at Homeġ. The Gestalt Laws of Similarity and Continuity Create Your Own “Virtual Leading” Spacers Screencast 10–1: Hiding Page Elements with a White Shape or a Clipping Maskģ. Add Vector Shapes to Frame the Composition Define a Color Mode, then Place and Relink an Imageĥ. Screencast 8–2: Duplicate, Transform, Burn, Organize, and Adjust-Ants in the HandĬHAPTER 9: PROTOTYPING EXPERIENCES FOR MOBILE AUDIENCESġ. Convert a Path to a Selection to a Layer Mask Screencast 8–1: Tracing with the Pen ToolĤ. ![]() It’s a Hoax! Adding an Extra Mummy FingerĢ. Screencast 7–1: Adding and Deleting within Selectionsģ. JFK’s Eyes: Tonal Repairs with Dodge and Burn Remove Dust and Heal JFK’s Blemishes with the Develop panel in Adobe Lightroom ClassicĢ. #DIGICEL FLIPBOOK 6.9 KEY FREE#SECTION 3: DIGITAL MANIPULATION AND FREE FAIR USEġ. Color Correction in Adobe Lightroom Classic Screencast 6–1: Applying Color to a Black-and-White Photographĥ. Color Correction with Adjustment Layers for Levels and Curves Harmony in Rectangles with Adjustment Layers for Hue/SaturationĤ. Modify the Tonal Range with a Levels Adjustment Layerġ. Screencast 5–1: Use the Info Panel to Check Your Eye Against Image DataĤ. Analyze a Photograph Using the Zone System Redistribute Pixels for Print Resolutionģ. Redistributing and Resampling Pixels via Resolutionġ. Screencast 4–1: Renaming and Ranking Files in Bridge Screencast 3–1: Modify Paths with the Pen and Direct Selection ToolsĬHAPTER 4: CREATING AND ORGANIZING DIGITAL PHOTOGRAPHS Convert Anchor Points from Straight Edges to Curves Duplicate the Artboard and Add Anchor PointsĤ. Create a Document with One Artboard and Set Guidesģ. Screencast 2–1: Add the “Swoosh” at the Horizonġ. A Figure and Ground or “On” and “Off” Study SECTION 1: BITS, PIXELS, VECTORS, AND DESIGNĬHAPTER 1: THE DOT, THE PATH, AND THE PIXELĥ. ![]()
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